Die Spezifik des Dialogs wird
sich auch darin zeigen, mit wie vielen Sinnen und mit wie vielen Medien
hier die Selbstreflexion betrieben bzw. deren Ergebnisse manifestiert werden.
Ohne den Einsatz kreativer Medien: Bilder malen, Skulpturen stellen, Raumsoziogramme,
Beziehungsbrett, Tücher, Steine etc. als Symbole für Teilnehmer/Rollen/Redebeiträge
usf. kann das Gespräch seine multimedialen Ressourcen nicht entwickeln.
Es bleibt beim Austausch von Worten und insoweit in der Tradition der Buchkultur,
die bekanntlich eine Prämie auf die Übersetzung jeglicher Information in
das sprachliche Medium ausgesetzt hat.
Der Dialog als Zelle einer ökologischen Kommunikationskultur (cultural
vision) nutzt die Gesamtheit der leiblichen Ausdrucksmedien. |
| Voices:
Dialogue |
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Heiner
Benking's
Inviting and Sharing ~
Voices and Views |
Models based on and revealing the architecture
of natural thought processes which enable thorough understanding
and exploration of inner and outer complexity from the perspective
of being part of the picture. |
| Heiner
has worked on some imaginative and innovative approaches to dialogue
and group communication, which he calls the ‘Art of the Arts’. Drawing
on a chaotically wide source of inspiration including the Paris
Salon, the idea of the Round Table, and the work of Anthony J. N.
Judge, he has developed some simple but radically effective techniques
which threaten to reinvent the art of meetings and how we share
context: |
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His design of visually accessed embodied
conceptual terrains can help to map and discuss "What and where
we know" and to take specific positions in an overview or Cognitive
Panorama - be member and part of Nature, instead of being restricted
to the position of spectator, as typical for conventional world
views. (see also ISSS Conference, The Club of Budapest Global Event
No.3). |
|
Time-Credits which entitle speech and
which participants can use or give away to empower and invite others
to speak. |
|
| The
use of metaphors, to enable the deliberate exploration of world
views, for example: spacial conceptualization, embodying, merging,
and morphing of positions, topics, issues, and perspectives.
|
Heiner
has played or tested ‘integral or diagonal thinking’ and the ‘Art
of the Arts’ -Communication- with children, women, men, scientists,
economists, politicians, and philosophers.
Beispiel aus:
Seeds
of Change -
Heiner Benking’s Inviting & Sharing Voices and Views |
|
